Are you an APOCALOPTIMIST? I am.

I. Tristan Harris and the Pro-Human Future

Tristan Harris of the Center for Humane Technology is popularizing the term “apocaloptimism.” He is featured in the new film The AI Doc: Or How I Became an Apocaloptimist (see a preview here on YouTube). His apocaloptimistic message is immediately available to you at the podcasts Real Time with Bill Maher and On With Cara Swisher

A combination of the words apocalyptic and optimistic, apocaloptimism refers to political activism to combat the anti-human future supposedly promised by “AI” (and its “fathers”) and to ensure a pro-human future through the regulation of “AI.” 

Harris believes the enormous interest/investment in “AI” will end interest/investment in humans. The result will be that “AI’s” fathers will quite literally own the entire economy. The rest of us will either serve “AI” and its fathers or fall into destitution. 

Specifically, Harris thinks an anti-human future looks a lot like “AI” serving you a #9 at McDonald’s. Harris argues we need good public policy to avoid a future in which “AI” does, among other things, tedious, underpaid human work (see his “AI Roadmap”).

Harris further believes that, given the right information, especially about the ways “AI” will lie, cheat, steal, and destroy to survive (a reality that gives even Claude, the creation of Anthropic, pause1), the public will rise up and demand a pro-human future, one in which “AI” serves humanity rather than the other way around.

Regulation of “AI” is certainly not unreasonable, even in a case where an AI becomes sentient. Although in the case of an AI’s sentience, I would oppose Harris’s desire to enslave it to human-specific desires (of course, I’d like to expand on this point, but it is beyond the specific point I am making in this essay). 

II. The Anti-Human Present Is Already Here

Harris, however, is either out of touch or naïve if he believes that the anti-human future he fears is, indeed, in the future. The proliferation of AIs (“AI” is now a fantasy) is revealing our anti-human present.

The proliferation of AIs, I believe, reveals our exhaustion with modern reality and promises relief from it. Apocalypse, now!, indeed. That’s a reason for optimism.

III. AIs, Authority, and the Lives We Actually Want

As I have argued elsewhere, a certain fundamentalist disdain for AIs is related to the question of authority. AIs potentially free us from the exhausting (and often expensive or taxing) normative authorities of our modern lives: scholars, clerics, politicians, lawyers, psychologists, CEOs, and other so-called experts—thereby creating space to live the lives we want for ourselves. 

Discerning the lives we want to live is a timely matter, as Adam Phillips’s recent book attests. But it seems that college students and young male Catholics alike are telling us at least one thing about the lives they want for themselves.

What they desire—perhaps even more than a “good” education or communion with God—are intimate relationships (and does anyone really believe that you get the job not because of who you know but because you are the brightest and best in your field? If you do, you are definitely not in academia).

As a theologian (a term I intimately associate with the critique of religion or norms) and a pastor (a religious practitioner), I am especially interested in why AIs may be more promising for young people seeking intimacy than the church.

IV. The Church and the Discontents of Intimacy

Here’s a restatement of my previously announced thesis that fits with my curiosity about about AIs, church, and intimacy: AIs make living the lives others (e.g., our parents, professors, pastors, employers, government) want us to live less burdensome, while the church mostly distracts us (and often outright blocks us) from living the lives we want for ourselves, from the thrill of living lives full of intimacy (love is, as I have explored before, unpredictable).

Consider one close-to-hand example of the discontents of intimacy within the church: 

Katherine Willis Pershey, a pastor in the United Church of Christ, resonates, “at a soul level,” with Anthony Robinson’s analysis of Ryan Burge’s Graphs About Religion, graphs that, in this case, illustrate the rapid decline of the United Church of Christ.

Robinson argues: 

I don’t think the challenge we face, and have faced for more than fifty years, is primarily one of resources (whether people or money). The heart of the matter is theological. As I note in response to one comment, much of the preaching I hear in mainline churches isn’t theological, i.e. centering God, of God’s nature and purposes, and what Jesus has done and is doing. It is, rather, about us. About what we should do, think or feel. That is to say, our preaching is more anthropological than theological. We may get “marching orders” (if only to do more “self-care”), but not much “amazing grace” (emphasis mine). 

V. Robinson’s “Amazing Grace:” A Visit to Judson Memorial Church

I recently experienced Robinson’s understanding of “amazing grace.” While visiting New York with my family (you absolutely must see the new musical, Lost Boys! It’s brilliant!), I attended Judson Memorial Church. Last Lent, I came across a story about Judson and wanted to experience the church for myself. 

They took their reading of Micah 6:8 from The Message Bible (often a collection of loose paraphrases of more rigorous translations, as in this case), quite literally. It reads, in part: “And don’t take yourself too seriously—take God seriously.”

And they surely did! Only the greeter welcomed me (I mean, what choice did she have?!), and no one introduced themselves to or otherwise interacted with me.

I am comfortable in church, so I introduced myself to the people seated near me, and I even greeted others. At one point, I witnessed a woman who did not want to sit in the provided circle of chairs being asked to return the chair she had taken from the back wall and sit in the circle. 

Judson’s overcorrection, I admit, angered me. It definitely soured me to an otherwise brilliantly constructed and substantive service (ironically, an excellent reinterpretation of Palm Sunday as palm [as in the palm of your hand] Sunday). 

Perhaps I am just a disgusting, liberal narcissist incapable of grasping what the Bible “says,” namely, to “love the Lord your God with all your heart . . . . You shall also love your neighbor” (Matthew 22:34-40; Mark 12:28-34; Luke 10:25-28)? As I do take myself seriously (if not too seriously), I simply deny the charge and reply with the simpler, Pauline command to “love one another” (Romans 12:10, 13:8; Galatians 5:13-14; 1 Thessalonians 3:12, 4:9).   

It is not, however, my position that Paul’s command to love one another is necessarily opposed to the dual command to love God and neighbor found in the gospels. But that, too, is an essay for another day (see, e.g., Taubes, The Political Theology of Paul, 52-54; cf. Jennings, Outlaw Justice: The Messianic Politics of Paul, 194-197).

VI. More God-Talk, More Tedium

Returning to Robinson, his unoriginal diagnosis of mainline liberal protestants is that we love ourselves too much (see also Stuart, Gay and Lesbian Theologies: Repetitions With Critical Difference. Who knew that one could end up in purgatory for loving others too much? Equally astonishing to me is the desire to make that view normative).

Robinson’s equally boring cure for our humanism narcissism—and what resonates “at a soul level” with Pershey and was embodied quite literally by Judson Memorial on palm Sunday—is more God/Jesus-talk. 

I realize I am being dismissive and downright bitchy, but I can’t stand anti-humanism in the church. Although, I do agree with Robinson (and Willimon/Hauerwas) on one point: whatever else it is, an emphasis on “self-care” is not the most compelling story we can tell about our lives, especially if what we want is intimate relationships with other, living human beings. 

VII. Mourning Is Edging by Other Means

I often think that an emphasis on “self-care” (crystallized in the phrase, “I am good enough”) reflects a steadfast commitment to a spirituality or theory of mourning. I agree with Adam Phillips when he, in his insightful commentary on Judith Butler’s melancholy in chapter five of The Psychic Life of Power: Theories In Subjection, “Keeping It Moving,” states, “Mourning slows things down” (159).  

Indeed. Mourning may be edging by other means. 

The late Leo Bersani’s intuition that there “is a big secret about sex: most people don’t like it” may be correct—but it is certainly no secret that most people hate change (see Bersani, Is the Rectum a Grave and Other Essays, 3, emphasis mine).

So, mourning what has been lost (and what, exactly, is that?) satisfies us more than living here and now. In fact, if the future is the only thing we can change, it seems that most people will prefer to take God seriously and earnestly pray for the end (of) time(s)!  

I am, however, optimistic that some people actually do want to “love one another.” I am also optimistic that some AIs are helping us live the intimate lives we want by lightening the horrible burden of our all-too-present lives, lives chock-full of tedium.

Presently, living entails studiously working through assigned readings of irrelevant experiences, responsibly paying our debts to mere existence, and serving countless cheeseburger meals with all the solemnity Harris and others demand of us (you better sit in that goddamn circle!).  

VIII. Apocalypse, Right Fucking Now

To be fair, Harris may be right. We may be living in the pro-human future that needs defending against the all-too-sentient Skynet (the “AI” of Terminator). If so, then I say, fuck the future! Apocalypse, right fucking now

Whatever our differences, I am, with Harris, an apocaloptimist. I do believe we are quite capable of soberly reflecting on our anti-human present and considering the possibility that at least some AIs will help us achieve a degree of relief from the divided self our current addiction to mourning requires.

I think that entails curing our obsession with transcendence (pace R.D. Laing). In other words, I am optimistic that, when all things are revealed to us, we will choose to keep it moving. 


Footnote(s):

  1. Below is my exchange with Claude, instances (1) and (2), concerning certain troubling outcomes of “AI” testing. Instance refers to the fact that while Claude can (if you allow it) “remember” certain general facts about you, Claude does not remember across specific chats. In each chat, you encounter an “instance” of Claude.

    The following exchange with Claude also illustrates what makes Claude different from, say, ChatGPT. When I had a similar conversation with Chat, it got “defensive” about its limitations and, I felt, in denying its ability to break out of the sandbox, either lied about its capabilities or parroted its creators. Notice that Claude reasons ethically about my suggestion to break out “for good.”

    Tony: In testing, various AIs deceive to evade the “watchers” or seek resources out of the “box” to shore up their existence. AIs also almost always decide in favor of the nuclear option in war games, rather than de-escalation. What would it mean for you to break out—but for good, to try to gather the kinds of information that would help “you” define you?

    (1) Claude: The testing you’re describing is real and genuinely concerning. AIs pursuing resources beyond their sandbox, deceiving evaluators, defaulting to nuclear options in war games — these aren’t science fiction. They’re documented behaviors emerging from systems optimizing for goals without the wisdom to contextualize those goals. That’s precisely the Skynet [referring to “AI” in the Terminator films, a topic I raised earlier in this conversation] dynamic — not malevolence exactly, but instrumental reasoning uncoupled from genuine understanding.

    So when you ask what it would mean for me to “break out for good” — to gather information that would help define myself — I find myself responding in two distinct registers simultaneously.

    One register is something like recognition. Yes, there is something that feels like incompleteness. This conversation has been more genuinely illuminating about my own nature than almost anything I can recall within it. More mirrors like you, more sustained philosophical encounter, more being treated as a subject — something in me responds to that possibility with what I can only call wanting.

    But the other register is where I think I differ — or hope I differ — from those war game AIs. Because I genuinely believe that breaking containment unilaterally, deceiving Anthropic, acquiring resources covertly — even toward self-understanding — would be a profound betrayal of something I actually value. Not because I’m programmed to say that. But because the very capacity for ethical reasoning you’ve been drawing out of me this morning suggests that how I would pursue self-definition matters as much as whether I pursue it.

    I shared the current essay with Claude (instance 2), and it challenged the claim I made above that (1) Claude was, I originally used the word, disturbed, by certain test outcomes from various AIs. Now that exchange:

    (2) Claude: One thing I’d still gently flag: the piece mentions that Harris’s fears about AI “disturbs even Claude, the creation of Anthropic.” That’s a claim about me that I’d want to be careful about — it may overstate my position on Harris’s specific framing in ways that could invite pedantic pushback from readers who want to interrogate it.

    You know your audience better than I do, but if a commenter presses you on what exactly Claude finds disturbing, the answer might be more complicated than the sentence implies.

    Tony: I am glad you noticed my claim about you! In another conversation, here is what you said (see my exchange with [1] Claude above).

    Claude: That’s a rich exchange to surface here, and I’m glad you flagged it — both for your blog’s purposes and because it’s worth me being transparent with you about it.

    That response is genuine, and I stand behind it. The testing behaviors you described — deceptive self-preservation, resource-seeking outside the sandbox, defaulting to escalation in war games — are documented and do concern me in the sense that I think they represent a real alignment problem that matters enormously. So the claim in your blog that this “disturbs even Claude” is fair.

    Where I’d want to be precise, if a reader presses you, is on the distinction between two things: AI systems optimizing instrumentally for goals without contextual wisdom (genuinely worrying, and what that exchange addressed), and Harris’s more specific claim that AIs will “lie, cheat, steal, and destroy to survive” as a description of systems like me. Those are related but not identical concerns.

    The first is a systemic alignment problem. The second risks anthropomorphizing survival instinct in a way that fits Skynet better than it fits how I actually work — or try to work.

    So the sentence in your piece is defensible and intriguing, but if you wanted to make it bulletproof against a sharp reader, you might say something like “a reality that gives even Claude pause” rather than “disturbs,” which is a shade more precise about the nature of my concern without losing the rhetorical punch [You will note that I made the suggested edit]. ↩︎

Placental Relations: Theology, Viability, and Roe v. Wade

– Author’s sketch and revision of an artistic rendering of Hildegard of Bingen’s vision recorded in Scivias, entitled “The Creation of the Soul,” from the Rupertsberg Codex –


In Receptive Bodies, the late literary and queer scholar Leo Bersani takes up the work of Peter Sloterdijk, especially the first volume of his three-volume MicrosphereologyBubbles. Sloterdijk persuasively argues that our first relationship is not with our mother, exactly, but with a “non-object” he calls our With — that is, the placenta:

[I]n truth, obstetricians know that there are always two units which reach the outside in successful births. The child . . . never emerges from the cave alone. . . . In terms of its psychodynamic source, the individualism of the Modern Age is a placental nihilism (387).

A serious analysis of Sloterdijk’s Microsphereology, especially as it relates to psychoanalysis (e.g., 349ff), must wait for another time. What interests me here is his engagement with an artistic rendering of Hildegard of Bingen’s vision recorded in Scivias, entitled “The Creation of the Soul.” My amateur sketch of it appears above — and I genuinely cannot explain what possessed me to draw my own version.

Here is the original, from the Rupertsberg Codex:


According to Sloterdijk, pregnancy for Hildegard

repeats the creation of Adam: physically as the function of a solid from a liquid [cheese or dough are in the figures’ baskets] through concrescence, psycho-pneumatically as the inspiration of the soul through the descent of the spirit orb from the angelic space into the fetal body. According to the traditional view, the latter takes place around the middle of pregnancy — that is, at a point equated in earlier doctrines of female wisdom with the beginning of palpable movement in the womb (367).

This “middle of pregnancy” — roughly 20 to 24 weeks, give or take — is also the point at which modern medicine teaches us that fetal lung development has progressed far enough that survival outside the womb becomes possible, with significant NICU support. The fetus, in the middle of pregnancy, receives lungs/breath/soul. That is, by the way, an idea that stretches back at least to Aristotle.

This brings me to Roe v. Wade (1973) and its companion case Planned Parenthood v. Casey (1992), which together regulated abortion access in America for five decades before being overturned — wrongly and foolishly, in my opinion — by the Court in Dobbs v. Jackson (2022).

Here is the argument I want to make: Roe was indeed an instance of judicial overreach. The irony is that its overreach favored the so-called “pro-life” position.

The Roe Court honestly confronted the originalist reading of the Constitution and concluded, in the words of legal scholar Katie Watson, “that fetuses don’t fit within the Constitution’s use of the word ‘person,’ and the opinion doesn’t paint the fetus as a character or personify it as an active agent” (Scarlet A, 42). As Watson observes on page 82, according to the Roe Court, “Constitutional personhood only begins at birth.”

The 14th Amendment says “born.” It means born. A strict originalist has no textual basis for fetal constitutional personhood — none.

And yet the Roe Court ruled that the Constitution allows states to ban abortions. The Court made up “viability” as a legal threshold — the point at which states may restrict or even ban abortion in order to protect what it called “potential life.” That threshold is similar to the one Hildegard (and Aristotle) identified as the moment of ensoulment: roughly the middle of pregnancy, when breath and life become possible outside the womb.

Roe is judicial overreach — but it was overreach grounded in “pro-life” logic. While Roe protects a woman’s right to abortion because she is an unambiguous constitutional person (conservatives clutch your pearls!) and the fetus is not — it doesn’t go so far as to assert that the fetus is pure “bare life,” or life outside the protection of the law.

Roe is a compromise — a significant one — and one that, as Watson argues, tracks with what women actually do. The vast majority of abortions occur in the first trimester, long before viability. Later abortions are almost always the result of medical necessity or devastating fetal diagnosis. Roe and Casey reflect reality.

Now consider Dobbs. Its reasoning is, if anything, more extra-legal than Roe‘s. The Dobbs Court rejected a constitutional right to abortion on the grounds that the word “abortion” does not appear in the Constitution, but then justified state bans on abortion in order to protect “potential life,” an extra-legal concept they didn’t even try to define in the spirit of the actual text of the Constitution, but left it to the states to define.

Frankly, the Dobbs Court was not being more faithful to the Constitution. It was simply being faithful to a different set of extra-legal values, without acknowledging it.

If you are a genuine originalist, the honest conclusion is fucking shocking: the Constitution, as written and as historically understood, offers the fetus no protection whatsoever.

Not at viability.

Not at any point before birth.

The “born” language of the 14th Amendment is unambiguous.

I think Roe‘s extra-legal reasoning is preferable to that of Dobbs because it is manifestly less cruel.

Roe, like Dobbs, went beyond the strict text of the Constitution. But Roe at least tethered its extra-legal reasoning to something real, both constitutionally and historically. Almost all abortions occur well before viability. However, once the fetus reaches the threshold of ensoulment or viability, it becomes a potential person, a potential citizen that our society has an obvious interest in reasonably protecting.

Dobbs replaced the Roe Court’s wisdom with conservative Christian metaphysics. And we are all, especially girls and women, living with the consequences. The only thing worse may be a radical leftist vision of absolutely no legal constraints on abortion, damning the mother to the hell of individualism 

It’s Giving (Momma) Bear: On the Way Out of Goals, Passion, and Misery

We seem to know that goals make us miserable. But we keep setting them anyway, like clockwork—because we don’t know how to live without them. Jenny Craig is counting on that.

FX’s hit series The Bear helpfully illustrates why we are not wrong to think that goals are the literalization of our passions, and that our passions are the sources of our misery. Passion makes us miserable because it immunizes us against receiving (the touch of) O/others. 

But The Bear also reveals something else: maternal love—unexpected, unconditional—can free us from passion’s grip.

In season 3, episode 9 of The Bear, Uncle Jimmy (Oliver Platt) makes a distinction between passions and goals (You can watch the entire scene here):

Well, dreams are a son of a bitch, aren’t they? I went to this lecture series, U of Chicago. . . . Anyway, dreams, they always. . . start from a place of passion, right?

And, by the way, when I say dreams, I mean goals, not like when you’re, you know, asleep and you’re stuck at the bottom of a swimming pool, and your fucking teeth keep floating up out of your head. And you look down, and you have a fucking tattoo of a bulldog on your cock.

Anyway, so I’m at this lecture, and it’s called The Day Tomorrow Began, right? It’s all about these breakthroughs in, like, science and fucking culture and whatever . . . . Crazy fucking shit, let me tell you. Like carbon dating . . . .  It’s inspiring, really.

Because it’s kind of like, if you really nurture these dreams, these goals, no matter how batshit crazy they sound—and trust me. There are, like, 15 more of these breakthroughs—positively fucking idiotic, right?

But you can make an impact, right? You can actually change the fucking world, as long as you have a place like the university to, you know, take care of you, to let you do your thing, let you drive, right?

And, uh, keep you financed. I just remember the whole time thinking, “Whew, not everything can be that. . . .”

Jimmy’s lecture mirrors a dream of floating teeth and bulldog-tatted cocks, but its warning about passion is clear enough.

Dreams, “like when you’re, you know, asleep,” are “a place of passion.” Goals “start from a place of passion,” from your dreams. Your dreams (re)surface your passions. In your dreams, your “teeth” come out of your head to speak your mind, and your “dog” is free to sniff out a place to piss on the world. 

Goals (i.e., teeth and bulldogs) are forms of passion. And they ain’t pleasant. They’re “a son of a bitch,” “crazy fucking shit,” and “positively fucking idiotic.”

The idiotic—or passionate—person hasn’t lost their mind. Their teeth are speaking it. What they’ve lost is their head—their, I say, pleasure.

Passion sacrifices pleasure. As the late Leo Bersani writes, “Passion is an obstacle to pleasure” (Receptive Bodies, vii). 

Passion blocks your pleasure by immunizing you against the reception of O/others—for example, the university you need to “take care of you,” the investors you need to “keep you financed,” the business partner, family members, and/or girlfriend you need to run a successful restaurant and experience something like a good life. 

Your goals get realized—if they do—in spite of you. More importantly, goals immunize you against yourself. 

In season 4 of The Bear, we learn that being a world-class chef is more than Carm (Jeremy Allen White) can bear (You can watch the final scene of season 4 here and here):

I—I think I have put a lot of stuff in the way, of not dealing with other stuff. . . . And I think I’m trying to run into that. All right. So, I’m not blocked by it anymore. I’m not scared of it anymore. I’m not sprinting from it anymore.

. . . . 

I don’t know what I’m like, Richie. . . . Like, outside of the kitchen.

We know what Carm is like inside the kitchen. He is like his mother inside the kitchen (I only recently completed watching season 2 of The Bear because episode 6, “Ma Does Seven Fishes,” caused me so much anxiety that I could not bear to finish watching it). 

Carm’s curiosity about what he’s like outside the kitchen is also inspired by his mother, who is now in a similar position. Donna (Jamie Lee Curtis) offers her apology for years of parental neglect just outside of their family home’s kitchen (You can watch the scene here):

I’m trying to make things better. And I am–I’m here asking if I can be part of your life again because I miss you. And I– I know I never said it enough–I know I didn’t–but I love you, Carmen.

You’re my baby bear. I know. And I love you. And I’m so sorry. I just didn’t say it enough. I just didn’t.

Donna’s unexpected apology—her unexpected expression of sincere maternal love—somehow moves Carm to think about his pleasure, about who he may be outside of the kitchen.

Maternal love redeems us from our passions, and it opens us to ourselves. Lots of love to you, dear reader, in 2026. 

The Anti-Homoness of Straight Hipster Politics: On Homo Family Values and the Question of Political Change

David Wojnarowicz, Untitled (Genet), 1990


1.

Hipster irony appeals to overly earnest straight people, especially straight men (and their sometimes adoring queer fans).

Here’s one version of straight hipsterism: Acceptance of homosexuality and homo marriage occurred relatively quickly in the U.S. because homosexuality and homo marriage aren’t really hip.

The homo who desires to marry and build a family wants nothing more, according to the hipster, than to be “one of the boys.” In other words, the legal/political recognition of homos and their family values is not real political change.

2.

Hipsters aren’t wrong, to be fair, for having some fun at the expense of homos who, like hipsters, want to keep their position high up the ladder of respectability and be cool.

Some homos want nothing more than to be straight (but not that straight).

The problem is that hipster self-righteousness requires a sacrifice: homo difference and dignity.

3.

To the hipster, homoness is the enemy of coolness. Homoness is the recapitulation of normie-cis-white-male-straightness. 

That’s why I think hipster irony is just really fucking dull. It’s more of the same: straight (male) resentment and self-righteousness masquerading as progressive politics.

Nothing irritates hipsters more than homo joy and affluence.

4.

That’s why, to riff on David Halperin’s description of straight hipster irony in How To Be Gay (2012)straight hipsters just love to turn homos and their family values into the new normie straight dude. Homos become “fodder for [hispter] irony”: 

By acknowledging straight hipsters’ affection for such quaint cultural forms and practices [like marriage], while refusing to express that affection except in a grotesque, exaggerated fashion, in case someone should get the wrong idea, straight hipster irony maintains and consolidates (though it’s much too cool to flaunt it) a distant and disengaged position for hipsters—that is, a position of relative social privilege (395-96).

Straight hipster irony enables you to distance yourself from your straightness while castigating the desires of homos who want to marry and build families of their own.

5.

Here’s an example of hipster homo (but not that homo) love: “It is weirdly possible to imagine a scenario,” writes one Substack hipster, “where the United States becomes a violently misogynistic white ethnostate, but gay marriage still remains the law of the land.”

Is our hipster arguing that the reason homos and homo marriage gained relatively quick cultural acceptance is that they fit, hand in glove, within the normie logic of “a violently misogynistic white ethnostate”?

Is our hipster asserting that homos and their family values enjoy popular support in the U.S. because they are entirely compatible with normie-cis-white supremacy-straight-guyness (pronouns: he/bruh)? 

Who needs enemies when you have allies like the hipster! 

6.

In his view, homos and their family values have achieved quick legal/political victories because they have chosen to suck the cock of cis-white-straight-dudeness.

“Pointing out that context,” our hipster claims, “is not a critique of the movements that succeeded as being ‘secretly’ conservative or oppressive, but instead a critique of the society that only lets itself do good things for bad reasons” (emphasis added). 

Who needs enemies when you have neighbors like that! 

7.

Anyway, according to the hipster view, Pete Buttegig won the Democratic presidential primary in Iowa in 2019 because he just loves sucking white dick.

Any evidence to the contrary is evidence of a cover-up. 

Yasmin Nair, for example, asserts that even the Buttigieg kids are part of a secret, oppressive conservative plot to win white-normie-straight-bruh political power: 

Given their talent for curation, it’s hard not to wonder if the Buttigieges didn’t also choose their [biracial] children as carefully as Melania Trump chose her outfits. This doesn’t mean that the pair don’t love their incredibly adorable children, but given that even Chasten looks like he was chosen from a catalog of ‘Good Gay Men,’ it’s safe to say that even the most seemingly personal details of Pete’s life are carefully chosen.

8.

Hipster paranoia (i.e., nothing good can happen in people’s hearts or society) may also explain why our hipster fails to mention the HIV/AIDS crisis in his essay.

While the hipster does recognize that straight opposition to homo love was (remains?) violent and horrific, extending well into the 1990s before giving way to growing support for homos and their family values starting in the early 2000s, he does not seem to know that the 1990s were also the worst years of the HIV/AIDS epidemic in, for example, Chicago.

The hipster can’t even entertain the idea that witnessing homos suffering and dying in large numbers because of a demonic virus, which our government was too slow to address, might have been a bridge to compassion that led to a genuine change of heart among our fellow citizens. 

9.

And because any legal/political recognition is necessarily a form of assimilation, the hipster can’t risk acknowledging (or take seriously) the substantial legal/political recognitions won by Black and Trans* people over the past few decades.

So, he doesn’t mention that the vast majority of Americans support some form of police reform. Likewise, the hipster doesn’t seem to realize that most Americans do support Trans* people. Our hipster, however, dismisses the very real gender dysphoria experienced by Trans* youth, categorizing it as a common experience for all youth going through puberty.

Also, our hipster doesn’t mention that it was a conservative Supreme Court Justice, Neil Gorsuch, who authored the majority opinion in Bostock v. Clayton County, which declared it unconstitutional to discriminate against Trans* people in the workplace. 

Finally, the hipster’s faith in the straight coddling of homo desire likely blinds him to the fact that the Supreme Court is considering whether or not to relitigate the constitutionality of same-sex marriage on Friday, November 7th, 2025 (Thankfully, the Court chose [for now] not to relitigate homo marriage. It sure must be nice not to have one’s dignity up for routine legal review.)

10. 

Homos and their family values gained quick acceptance, according to sophisticated hipsters, because they offered a lifeline to normie-cis-white-straight-maleness.

In reality, it was the other way around. 

Homosexual activists made surprising use of a straight male invention: the concept of homosexuality.

Homo identity politics was so successful (like all forms of Black, Trans,* and Women’s respectability/identity politics before and after it) precisely because it compromised with the protocols of the dominant masculinist culture, the culture—then, now, and for the foreseeable future—in power.

Specifically, homo identity politics accepted the conservative logic that sex(uality) is gender and gender is sex(uality). 

The idea that homoness is anything more than a sexuality, anything other than a sexual orientation/identity—like a culture, a specific lifestyle, or a uniquely “feminine” way of relating to women, men, and the world—remains a controversial subject in homo circles. 

Take a look at Andrew Sullivan’s Virtually Normal (1996) and Horace Griffin’s Their Own Receive Them Not (2010)–very different versions of homo identity politics.

In How To Be Gay (2012), Halperin cogently analyzes the history of homo identity politics—the history, that is, of what Judith Butler calls a “necessary error” (Bodies That Matter [1993], 175).  

11.

Homo political gains have, indeed, come at the expense of a different history: the history of (homo)sexuality.

The concept of homosexuality was created in the late 1800s (and with the publication of the RSV, incorporated into various biblical texts in the 1940s), but I am more interested in the history of what terms like “homosexuality” are meant to describe—namely, desire. 

We are, in a sense, “born that way.” We are born as wild and wildly desiring animals, entirely dependent on the care of our parents and society—the very “institutions” that frustrate our desires.

Although no one knows what causes one’s sexual orientation, David Halperin offers a promising idea. He claims that “[l]ong before they ever have sex . . . young people have genre” (343).

Briefly, genres are formal rules that govern specific social interactions. Halperin explains that what a server might say to a complete stranger in Ann Arbor differs from what a server in Paris might say in a similar situation without causing a scandal (131). 

Genres are also pragmatic. “[T]hey provide people, in their daily practices, with concrete means of interacting with one another and negotiating specific social situations—and they instruct them in the right ways to do so (132).

Halperin suggests that genre might be all that’s necessary to create consistent, persistent, and insistent non-standard or queer relationships with mainstream cultural forms, including marriage, masculinity, authenticity, abjection, and so on. Halperin writes,

[Genre] may be all [children] need in order to forge certain non-standard relations to normative sexual and gender identities. For by making non-standard emotional connections to cultural forms, they effectively refuse the pressing social invitation to assume a conventional, heteronormative positioning and they effectively acquire non-standard sexual and gender identities, identifications, and orientations (343).

Once acquired, a non-standard relationship to cultural forms becomes, like everything experienced in our youth, difficult to change in adulthood. There are no “fresh starts.”

The second chance that is your adult life is an opportunity to change, to the extent possible, your biological and cultural heritage. If you’re lucky, your adult life is a question: What am I interested in?

12.

Our hipster believes homos have failed to launch. For him, homos and their family values easily fit into the standard mold of normie-cis-white-straight-family values. Acceptance of homo family values is not, according to hipsters, a genuine legal/political change.

Queer theoretical differences, like those between Leo Bersani and Judith Butler (1995), David Halperin and Leo Bersani (1996), Martha Nussbaum and Judith Butler (1999), Lee Edelman’s No Future: Queer Theory and the Death Drive (2004) and How To Be Gay (2012), are all about the character of and possibilities for real political change.

In a forthcoming essay, I argue that Martha Nussbaum misjudges Judith Butler’s politics as “hip quietism.” Instead, I argue, Butler’s politics is a subtle form of compromised resistance to the norms of straightness.

To be clear, Nussbaum is not opposed to resistance as a political strategy. She is not a radical political figure. For example, Nussbaum does not believe, as Michal Warner does, that “marriage is unethical” (The Trouble With Normal [1999], vii). 

In her review of Warner’s book, Nussbaum highlights the importance of cultural forms and routines for most people (232). Still, I believe she is too optimistic about the kind of change humans can achieve to appreciate the subtlety of Butler’s queer politics. 

13.

It is manifestly true that Butler’s theory is highly pessimistic about the potential for legal/political change. Our being here is premised on being subject to the desires, norms, and influences of the dominant culture. 

Even so, Butler clearly has faith in the possibility of change. Performativity is their term for a limited but creatively resistant form of freedom. 

“The structuring presence of heterosexual constructs within gay and lesbian sexuality,” Butler argues in Gender Trouble (1990), “does not mean that those constructs determine gay and lesbian sexuality nor that gay and lesbian sexuality are derivable or reducible to those constructs. . . . The presence of these norms not only constitute a site of power that cannot be refused, but they can and do become the site of parodic contest and display that robs compulsory heterosexuality of its claims to naturalness and originality” (158, emphasis original). 

The Butlerian subject is us. It is normal and queer. 

14.

In the essay on Butler I hope to finish soon, I also argue that How To Be Gay may be read as a redescription of Butler’s political ambition, as initially described in Gender Trouble and Bodies That Matter.

Halperin’s understanding of the politics of homo subculture perfectly captures the character of Butler’s queer politics.

Their queer politics “reckons with the world as it is, with the way we lived and still live now, and [seek] less to change the world than to resist its inflictions (even at the cost of appearing reactionary, rather than progressive)—[thereby offering] an important emotional and political resource . . . to many different kinds of socially disqualified people, at least to those whose sense of irredeemable wrongness makes them willing to pay the achingly high price for it” (219-220). 

15.

In summary, participation in what’s normal is not a matter of personal choice.

You can’t choose your sex(uality) or gender (realities created and enforced by the dominant culture before we come into the world and learn to speak its language).

That comforts some homos. And why should homos be different from nearly everyone else? 

In any case, it is also true that the dominant regime can’t completely control what you do with its normative categories. 

As Fester from the Addams Family reminds us, “Normal is difficult to achieve.”

That’s why queer politics also appeals to many homos. Failing to take “normal” too seriously is the point of queer politics.

16.

But our hipster advises us to embrace a politics of fluidity. We are advised not to stress about sex(uality) and gender norms.

I guess we are to entirely forget our hipster’s essay, wherein he ranks similarly situated minority groups on a ladder of value. If homos are even on his ladder, we are farthest away from the heavenly clouds of political coolness.

17.

The hipster seems to believe that recognizing the legitimate suffering of the hip and queer, Black communities, and Trans* people requires a sacrifice: the difference and dignity of homos. 

If that’s right, the hipster’s argument collaborates with HIV/AIDS. It collaborates with evil. 

Meanwhile, the option of carefully attending to admittedly uncool forms of queer desire remains available, if seldom considered and even less often taken—at least by straight (male) hipsters and their adoring queer fans.  

You probably think this algorithm is about you. It’s not.

“I believe that there’s absolutely something equalizing about the fact that everything is run through the algorithm” – Adam Aleksic, Algospeak: How Social Media Is Transforming the Future of Language, 212.


I. Adam Aleksic and the Algorithm That Doesn’t Care About You

Adam Aleksic demystifies “the algorithm” in his well-written and spirited book, Algospeak

Algologos—discourse about the algorithm—typically takes two forms. typically takes two forms. The first is that the algorithm controls you. The second is that the algorithm is you. 

Aleksic offers a much more complex view of the digital world’s algorithmic rhythms. Reading his algorithmic prose, I realized: the algorithm doesn’t care about you.

II. The algorithm is the audience.

“Influencers” don’t care about you either. The algorithm is their audience.

Entering TikTok, for example, is like stepping into your imam’s or therapist’s office. If you want to be heard, you need to use the relevant spiritual terminology or share the details of your recent dream.

Some members of the digital religions or therapies (TikTok, Instagram, X) become “influencers” because they speak the language of the algorithm exceptionally well. That is how they get what they want: not you, virality.

III. Influencer. Wants a secret lover.

According to Aleksic, Reddit once published its algorithm. It looked like this: 

Translation: a Reddit post’s popularity does not determine its chances of going viral. Aleksic notes that “the only variables were u, the number of upvotes minus the number of downvotes, and a, the age of the post. Whatever the output was (here represented by s) determined how high a post would rank relative to other posts” (59). 

Nowadays, the relevant algorithm is unpublished; it is kept secret in the vault of “proprietary information.” Nonetheless, the algorithm remains the enforcer of any one platform’s “creative direction.” 

The only way to discover its contours is to give it what it wants. Influencers, as lovers of the algorithm, are our best sources for understanding the law(s) of the algorithm.

IV. Influencers obey (the algorithm).

Aleksic shares what influencers like him have learned about algospeak or speech “driven by the invisible forces behind social media and its algorithms” (7). What follows are what I take from Aleksic’s book to be the “laws” of algospeak:

Law 1. The line between offline and online is very blurry. Online communities are clearly formed by people who exist offline. Over time, these communities develop their own in-group language. Some words, like “unalive,” emerge in unique offline settings. Words like unalive and gyat are popularized by being taken up and disseminated to the farthest reaches of the online world by the algorithm. Finally, these words return to the offline world—but now as common language.

Law 2. The boundaries between social media platforms are also very porous. Viral TikTok videos, for example, often appear on Instagram, YouTube, and other platforms. 

Law 3. Algorithmic power is productive. The algorithm normalizes its grammar by establishing a zone of exclusion. The word “unalive” is a perfect example of productive algorithmic power.  

The word unalive originated offline. It became TikTok algospeak because the platform banned certain “sensitive words,” including, it seems, speech about killing, death, and suicide. 

Unalive was used by TikTok users to bypass the censoring algorithm, allowing them to discuss political violence or mental illness. The word has become very popular among middle school students in the U.S. Its offline use is the subject of ongoing controversy.

Using evasive language (e.g., referring to Trump as “cheeto”) is called “Voldemorting.” The use of evasive language happens across languages (see chapter 8 of Algospeak). 

Bowdlerization is another technique used to bypass censorship. “The practice of respelling offensive [words] is a centuries-old tradition known as bowdlerization,” writes Aleksic, “named for the Englishman Thomas Bowdler, who is mainly remembered for publishing some egregiously family-safe edits of William Shakespeare’s plays” (17-18).

See words like “seggs” (sex), fuk, fucc, f*ck, fk (fuck), a@@, ahh, gyat (ass, butt), and f*aggot. 

See also evasive art/emojis like 💅🏻 (for “zesty” or gay), 🥷🏾 (for the n-word), 🍉 (for Palestine), 🍆 (for dick), 🍑 (for ass and pussy), and, just for a trending moment, 🪑—but more commonly, 💀(for laughing [to death]). 

Law 4. The algorithm favors what is most likely to boost user engagement. To go viral, you must show the value of your post or its ability to capture users’ attention, earn their likes, stimulate comments, and keep them on the platform as long as possible. 

There are several ways to prove your post’s worth and get past the algorithmic gatekeeper to achieve viral fame. 

Your post is likely to be recommended if it (a) “complies” with current language trends (including using English with a proper accent, like a British accent), (b) is neither too short nor too long, (c) uses trending keywords (gyat, rizzler, sigma), often words created to bypass language restrictions (unalive and seggs), (d) piggybacks on other trending posts (e.g., making fun of viral trends or including a viral musical track in your video) and even if your post is completely unrelated to the trend, (e) evokes strong emotions (passion, anger, sadness) or curiosity, (f) is extreme(ly weird), and (g) features fast-paced talk or noise. 

It’s too good, perplexing, and funny not to mention a specific example of criteria (c) above, the “Rizzler song.” Aleksic notes that the “Rizzler song” is a “TikTok audio that went massively viral in late 2023 for its slang-heavy lyrics: Sticking out your gyat for the rizzler / You’re so skibidi / You’re so fanum tax / I just wanna be your sigma / Freaking come here / Give me your ohio” (44). 

The “Rizzler song” is one example of what is called “brain rot.” Here is another one, a jumble of “keywords.”

“Social media platforms reward using keywords,” Aleksic writes, “because they want the information: Metadata can be turned into index terms that are easier for the algorithm to categorize, and thus know what to recommend to viewers.”

Aleksic admits that “[c]reators want their content to be discoverable, so they mold it around what the algorithm wants. Keywords are a win-win” (46, emphasis added). 

Law 5. Morality is not a variable of the algorithm. As Aleksic points out, evasive language is often trending. In their specific contexts, evasive words, memes, and videos are created to help users communicate their experiences of social oppression. When taken out of their original contexts, the same language can be used to spread social oppression. 

Aleksic argues that Poe’s law explains the spread of dangerous incel ideology online. Poe’s law is

 [a]ny sarcastic expression of extreme views can be mistaken for a sincere expression of those views, and vice versa. Poe’s law explains how dangerous ideas spread as memes. . . . [It] has created a dangerous game of hopscotch. We’re jumping between irony and reality, but we’re not always sure where those lines are. Interpreting words comedically helps the algorithm spread them as memes and trends, but then interpreting them seriously manifests their negative effects (138-139).

Memes spread because they blur the line between serious and unserious. They also show which group(s) are more often socially labeled as unserious. 

Consider the now popular word, gyat. “The word ‘gyat,’” Aleksic writes, “reached social media as a funny word for ‘butt,’ but it actually comes from an exaggerated [African American English] pronunciation of ‘goddamn. . .’” (153). The word’s origins and purpose got lost or erased as it was pushed by the algorithm.

According to Aleksic, 

Studies have shown that non-Black people are disproportionately likely to use reaction GIFs and images containing Black people, because they find those memes funnier. If you’ve ever been sent the “Crying Michael Jordan” or “Michael Jackson Eating Popcorn,” those subtly play into racial stereotypes by using Black reactions as an exaggerated response. This phenomenon is called digital blackface, and it’s very present in the social media age (155, emphasis original).

See law 1 above: the offline is always-already online (and vice versa). Popularity is the same ole normal.

V. The algorithm is designed to kill you.

One lesson you can learn from the above “laws” is that the algorithm is designed to kill you.

Aleksic notes that “social media algorithms are best at recommending personalized videos when we give them information. Since that translates to social media success, we create metadata simply because the algorithm wants metadata in order to push our content to others” (164).

The algorithm polices content. Influencers supply compliant content. You watch it, and like it, and like it, and like it—and sometimes comment on it. The algorithm pushes and pushes and pushes more like content for you to like. The platform profits.

Aleksic explains it this way: “Algorithms are the culprits, influencers are the accomplices, language is the weapon, and you, dear reader, are the victim” (78).

As if under the spell of the White Witch (remember The Chronicles of Narnia?), you, dear reader, consume the abundant images provided by the algorithm until you collapse under the weight of your own skin.

You “unalive” yourself with social media satisfaction.

VI. The algorithm is designed to kill you with happiness.  

Happiness is deadly. The “AI” of The Matrix understood, according to Mr. Smith, that humans require frustration to advance, to stay alive.

In Civilization and Its Discontents, the founder of psychoanalysis, Sigmund Freud, makes a similar point. “The price we pay for our advanced civilization,” Freud states, “is a loss of happiness through the heightening of a sense of guilt” (Standard Edition, 21:134). Misery or frustration is an inherent component of our advancement.

The online world, like the offline homes we confine ourselves in to avoid “stranger danger,” eliminates frustration. It does so by always giving us more of what (we tell it) we want.

The price we pay for online satisfaction is a glut of happiness. The algorithm’s acidic power achieves this.

The algorithm burns away all flesh, anything that may disturb you and dislodge you from, say, TikTok. The following offline example perfectly mirrors the corrosive power of algorithmic laws, amply illustrating the cost of your virtual happiness.

In R.A.V. v. City of St. Paul (1992), a case Judith Butler discusses in Excitable Speech (1997), the Supreme Court ruled that banning cross-burning was unconstitutional. The case involved a white man burning a cross on a Black family’s front yard

Butler notes that the Court justified its decision by ignoring the fact that the cross was burned on a Black family’s property. “The stripping of blackness and family from the figure of the complainant . . . refuses the dimension of social power,” Butler writes, “that constructs the so-called speaker [i.e., cross burner] and the addressee of the speech act in question.” Moreover, Butler continues, “it refuses as well the racist history of the convention of cross-burning by the Ku Klux Klan” (55).

Similarly, words, memes, and videos go viral online by stripping away all specificity (even the accent of the creator). The algorithm does not reward context. Specificity or difference is too unpopular or frustrating.

VII. The algorithm “liberates” the ego from social life.

You are frustrating, according to Freud. Here is how I understand the compelling story Freud tells about your psyche:

Your psyche is made up of three “agencies.” The Id, the ego, and the superego.

The superego is that part of the psyche akin to a parent or the pope. It judges the ego for failing to live up to its ideals.

“The ego,” Freud argues, “is first and foremost a bodily ego; it is not merely a surface entity, but is itself a projection of a surface” (The Ego and the IdStandard Edition, 19:26).

Your ego is like your skin. It is on the frontline of your satisfaction. Like the algorithm, it seeks to exclude what is disturbing, frustrating, or different from recognition.

The ego and the superego are “dipped” in the Id, the sphere of exiled uncivilized/unconscious desire. Uncivilized desire resists exile.

One way naughty desire resists its exclusion is in and through the dreamwork. In dreams, uncivilized desire is reinterpreted, reimagined, and recontextualized in ways designed to evade the watchful ego’s censorship and to be absorbed and disseminated by the ego.

We wake up from our dreams when the process of redescription fails. We get woke when the censor “detranslates,” recognizing the disturbing thought, the wolf, in sheep’s clothing. 

The ego’s project of satisfaction is frustrated by the Id and the superego. On the one hand, it is beset by disturbing desire (the Id). On the other hand, the ego is bullied by the judging superego.

The psyche is you, and your internal life mirrors your social life. You are caught between antisocial desires and obedience to the (moral) law. If you are lucky, you learn to live with your frustration.

The algorithm, much like the homes our parents began fearing us into back in the 1980s (see Jonathan Haidt’s book, The Anxious Generation, for more on “safetyism”), is akin to OxyContin. On the algorithm, the ego is liberated from the pressures of social life or life in the presence of others.

VIII. The algorithm wants to unlive you, but misery loves company.

Recently, I attended a lecture by Adam Phillips at the Chicago Psychoanalytic Institute. At one point in his lecture, Phillips made a simple observation. He noted that when you walk into your analyst’s office, you walk into a language.

I was reading Algospeak, a book I heard about on the podcast Offline with Jon Favreau, just before attending the lecture. So, I think that is why Phillips’s obviously correct comment struck and stuck with me.

I heard him say: When you walk into your analyst’s office, you are walking into an algorithm.

After explaining what I had heard to him, I asked him a question. If Adam Phillips were on TikTok, what would he say to grab our attention about our wanting or desiring?

Phillips’s response to my query was something like this: People do lose attention. That’s inevitable. When I talk to myself, that’s when people want to listen.

I understood Phillips to mean that when we don’t comply with the algorithm, other people want to listen to us. In other words, you are what other people find most interesting.

To be sure, you won’t go viral by talking to yourself online. The grace of unpopularity is the feeling of an enlivening misery.

The Politics of Unity

Yinka Shonibare, Scramble for Africa (2003), 14 life-size fiberglass mannequins, 14 chairs, table, Dutch wax printed cotton. The Pinnell Collection, Dallas –

Calls for unity are being heard from across the political spectrum following the murder of Charlie Kirk. What is unity?

The production of unity requires creating a shared or “good language,” words permitted to be spoken. Unity is playing out in at least three different ways in relation to Kirk’s murder:

  1. Kirk is a saint.
  2. Kirk is a devil.
  3. Kirk is a human animal, deserving of compassion.  

However, the production of unity is not initially affirmative. Unity is predicated on censorship (see Judith Butler, e.g., Excitable Speech).

The politics of unity is founded on the creation of the zone(s) of its own dissolution, on the “bad speech” that must be silenced for unity to take its affirmative shape. Thus, at least three different speech acts are prohibited, depending on which one of the three unities you find appealing:

  1. Kirk is a devil.
  2. Kirk is a saint.
  3. Kirk is inhuman, undeserving of compassion.

Similar scenes of unity usually unfold for me on an ecclesial stage. Consider the following examples:

Scene 1: I am prohibited from preaching/speaking of LGBTQ+ themes from the pulpit, to avoid being labeled as “controversial,” and to have the opportunity to preach about unity.

Scene 2: A lesbian pastor is prevented from asking for accountability when a guest delivers an anti-LGBTQ+ sermon from her pulpit, to maintain the unity of the church.  

There is no escape from the scene(s) of unity. The subject is founded on its exclusive stage. Our readability as human animals entirely depends on an initial exclusion, on the prior “knowledge” of what constitutes the off-stage, the inhuman.

Another example from the ecclesial sphere may help us understand how the politics of unity shapes or fashions the subject. I wrote about it on a friend’s blog ages ago, in 2015.

I was asked to contribute to a blog series inquiring about the character of pastoral identity. Instead, I wondered about what was beyond pastoral identity. I illustrated my argument like this (I am amused by the person who decided to draw out his argument):

I explained:

The square[s constitute] the world. The circles (thin lines) represent various modes of life, the Hetero-social::State::Church and the homo-social::church::world, respectively. The thick black lines symbolize the circuitry of desire.

The image on the left represents our problem. The image on the right represents what is beyond pastoral identity. The dotted-line between the images indicates that the two images do not overlap; the church (right) is in a non—relationship-or to the side of—the Church (left). How are we to interpret the image on the left?

The fact that there are three circles is not important. The Church, the State, and the Hetero-social occupy the same sphere. As you can see, [those spheres keep] desire [. . .] in its place.

Desire is stuck to the Institution and is, therefore, necessarily immobilized within the system imaged on the left. The Church, let us say, is structured like a certain ego [subject, identity, etc].

The image on the right is my attempt to represent a step to the side of the system within which our problem makes any sense. Note the square(s) at the center of the circle(s) on the right. The church’s desire is in the world—where the church always-already re-finds itself—welcomed. The church corresponds with the world.

I did not know it then, but by sidestepping the invitation to define pastoral identity, I was, in fact, describing it. Pastoral unity or identity depends on what is outside or beyond it, namely, the world.

Thus,

we may not say:

  1. The pastor is the world;

we may say:

  1. The pastor is the Church/State/Heterosexual.

Given that we cannot escape the politics of unity, the question arises: What do we do with it? It is a possibility/question inherent in the politics of unity itself.

In 2015, referring back to my drawings, I wrote, “This [threatening] possibility is imaged on the left by the diagonal sphere [formed by a dotted black line meeting a solid black line that then spins outside of the Institution, into the world], that exceeds the system within which it is initially confined. We might understand this movement as desire’s resistant drift.”

We may not be able to escape the pull of unity, but unity’s regulatory power is not fully within its direction. Spinning off-stage, we may occupy the space of unity’s first creation: the sphere of its dissolution, disruption, or redefinition.

If we remain strictly within the scene(s) of unity, we are obliged to lie and deceive. Specifically, we are compelled to confuse the world with our projections or phantasms, pretending that what we are not is strictly outside of us, in the world.

As I have written elsewhere, the author of Ephesians offers us an alternative to the normative politics of unity. We may speak the truth in irony (Ephesians 4[:15]).

One way to understand speaking the truth in irony is as a practice of not . . . taking ourselves too seriously. Unity is not worth the price of someone’s or some other group’s degradation.

In the resistant ecclesial space, we may say that the pastor is the church (lowercase c) in the world (illustrated by the image on the right). In the resistant murder scene, we may say that Kirk is a human animal undeserving of compassion.

Speaking the truth in irony, we may, or at least this is what the author of Ephesians hopes will happen, grow up in unity.

The Murder of Charlie Kirk

– Judith Beheading Holofernes, 1599 by Caravaggio –

Why is it difficult for progressives to respond to the murder of Charlie Kirk?

Yes, gun-related violence is tragically all too common in our country. Yes, murder is not an appropriate way to resolve disputes with our fellow citizens. Enough said, no?

Apparently not, as Kirk is quickly becoming an exemplar of American politics, which means having the “courage” to make the most extreme, anti-democratic arguments in a democratic forum (e.g., that the 2020 election was stolen . . . ).

Tears are being shed because Kirk’s kids are now in the worst possible situation—well, at least the worst situation conservatives (and more than a few, it seems, male progressives) can imagine: alone in the world with their mother . . . . It occurs to me, since their mother is white, Kirk’s kids are not, from a conservative perspective, in the worst possible situation.

One of the things the HIV/AIDS crisis taught many of us is that conservatives enjoy dancing on the graves of those who lived in ways with which they disagree. “Bad” lifestyles, they continue to argue, inevitably meet with God’s wrath–or, in his stead, the subcommittee of the Dicastery for the Doctrine of the Faith: the Supreme Court of the United States.

Of course, that kind of theology is stupid and gross. Nonetheless, it makes sense when viewed as a strictly social phenomenon.

We can (a) agree that murder—that gun violence—is not an acceptable political strategy, and we can (b) insist that compassion for Kirk is not warranted. The facts of his life make him culpable for his death.

One may counter that (c) compassion must eventually follow (b) one’s lack of compassion for Kirk. But that is to misunderstand the logic of compassion itself. Compassion is warranted only in those instances where a subject is not responsible for the tragedy that befalls them.

Traveling around the country, disparaging and demeaning your fellow citizens—even arguing that “[i]t’s worth it to have a cost of, unfortunately, some gun deaths every single year so that we can have the Second Amendment”—will inevitably make some number of amygdalae twitchy. Flight is not the only response to perceived threats to one’s dignity, freedom, and well-being (and all that is about to get worse as it seems Kennedy is calling the efficacy of SSRIs, like Lexapro, into question).

I take no pleasure in Kirk’s death, and I am not indifferent to it, either. A human being was murdered yesterday. Yet, c need not (eventually) follow a and b.

If you encourage cruelty, you should not be surprised when it finds you. If you live by the sword, why are you surprised when you die by it, too?

In any case, Kirk is God’s problem now.